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The Olmecs (Tamoanchan)

February 20th, 2009 in The Other Place


Until the early 1900′s, the Maya civilization was considered to be the parent culture in Mesoamerica from which all other societies sprouted. There have been many Mayan sculptures and carvings found in the region, so all other carvings were also considered to be that of the Maya. One difference in the carving is that some carvings of large heads had faces with more African looking features than many of the other Mayan works.

There was also evidence of a half-jaguar half-man beast, which also did not fit in with other Mayan finds. It wasn’t until 1929, when Marshall H Saville, the Director of the Museum of American Indian in New York, classified these new works as an entirely new culture not of Mayan heritage. He named this culture Olmec, which means the “rubber people” in Nahuatl, the language of the Mexica (“Aztec”) people. It was the Aztec name for the people who lived in this area at the much later time of Aztec dominance. Ancient Mesoamericans, spanning from ancient Olmecs to Aztecs, extracted latex from Castilla elastica, a type of rubber tree in the area. The juice of a local vine, Ipomoea alba, was then mixed with this latex to create rubber as early as 1600 BC.

It is not known what name the ancient Olmec used for themselves. Later Mesoamerican accounts seem to refer to the ancient Olmec as “Tamoanchan”.

The oldest Olmec site originated at its base in San Lorenzo, Tenochtitlan, where distinctively Olmec features begin to emerge around 1150 BC. The rise of civilization here was probably assisted by the local ecology of well watered rich alluvial soil, encouraging high maize production. This ecology may be compared to that of other ancient civilizations: Mesopotamia and the Nile River Valley.

At its height, this village had a population of less than 1,000 people. The inhabitants were farmers and fishermen who also did a small amount of hunting. The major crops were maize, beans, and squash. The fishing season coincided with the flooding of the river. The men would catch fish in landlocked ponds after the flooding of the river subsided. Along with fish, the Olmec would catch turtles for their main source of protein. If the fishing was slow and the turtle hunting was not going well, the Olmec would substitute domesticated dog and turkey meat in their diet.

It is speculated that the dense population concentration at San Lorenzo encouraged the rise of an elite class that eventually ensured Olmec dominance and provided the social basis for the production of the symbolic and sophisticated luxury artifacts that define Olmec culture.

Evidence of materials in San Lorenzo that must have come from distant locations suggests that early Olmec elites had access to an extensive trading network in Central America. This was most likely be protected by some sort of military system.

It is not known with any clarity what happened to this culture. Their main center at San Lorenzo, was all but abandoned around 900 BC, and La Venta became the main city. Environmental changes may have been responsible for this move, with certain important rivers changing course. However, there is also some evidence suggestive of an invasion and destruction of Olmec artifacts around this time.

Around 400 BC, La Venta also came to an end, although the importance of the ceremonial complexes apparently outlasted the Olmec state or culture. Within a few hundred years of the abandonment of their last cities, successor cultures had become firmly established in their former lands, most notably the Maya to the east, the Zapotec to the southwest, and the Teotihuacan culture to the west.

http://www.crystalinks.com/olmec.html

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Ball Games

February 20th, 2009 in The Other Place

The word “Olmec” also refers to the rubber balls used for their ancient ball game. Early modern explorers applied the name “Olmec” to the rediscovered ruins and art from this area before it was understood that these had been already abandoned more than a thousand years before the time of the people the Aztecs knew as the Olmec.

Rubber ball games have great antiquity throughout the Americas, and the recent discovery of several rubber balls at the Olmec site of El Manati, near San Lorenzo, confirms that the game was played by the Olmec. Archaeologists working at La Venta twenty years ago discovered what they hypothesized were the remains of a ball court there, and it is possible that such ball courts were also part of the architecture at Olmec centers.

The Olmec were perhaps the originators of the Mesoamerican ballgame, prevalent among later cultures of the region and used for recreational and religious purposes. They were playing ball before anyone else has been documented doing so.

http://www.ballgame.org/

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The Were-Jaguar

February 20th, 2009 in The Changelings


“The Olmec were-jaguar is the name for both an Olmec motif and an Olmec supernatural.

The were-jaguar motif is charactertised by almond-shaped eyes, a downturned open mouth, and a cleft head. It appears widely in the Olmec archaeological record, and in many cases, under the principle of pars pro toto, the were-jaguar motif represents the were-jaguar supernatural. The were-jaguar supernatural incorporates the were-jaguar motif as well as other features, although various academics define the were-jaguar supernatural differently. The were-jaguar supernatural was once considered to be the primary deity of the Olmec culture but is now thought to be only one of many.”

http://en.wikipedia.org/wiki/Olmec_were-jaguar

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Aztec Stories of Creation

February 19th, 2009 in The Other Place

Quetzalcoatl, the light one, and Tezcatlipoca, the dark one, looked down from their place in the sky and saw only water below. A gigantic goddess floated upon the waters, eating everything with her many mouths. The two gods saw that whatever they created was eaten by this monster. They knew they must stop her, so they transformed themselves into two huge serpents and descended into the water. One of them grabbed the goddess by the arms while the other grabbed her around the legs, and before she could resist they pulled until she broke apart. Her head and shoulders became the earth and the lower part of her body the sky.

The other gods were angry at what the two had done and decided, as compensation for her dismemberment, to allow her to provide the necessities for people to survive; so from her hair they created trees, grass, and flowers; caves, fountains, and wells from her eyes; rivers from her mouth; hills and valleys from her nose; and mountains from her shoulders. Still the goddess was often unhappy and the people could hear her crying in the night. They knew she wept because of her thirst for human blood, and that she would not provide food from the soil until she drank. So the gift of human hearts is given her. She who provides sustenance for human lives demands human lives for her own sustenance. So it has always been; so it will ever be.

Myth 2: The mother of the Aztec creation story was called “Coatlique”, the Lady of the Skirt of Snakes. She was created in the image of the unknown, decorated with skulls, snakes, and lacerated hands. There are no cracks in her body and she is a perfect monolith (a totality of intensity and self-containment, yet her features were square and decapitated). Coatlique was first impregnated by an obsidian knife and gave birth to Coyolxanuhqui, goddess of the moon, and to a group of male offspring, who became the stars. Then one day Coatlique found a ball of feathers, which she tucked into her bosom. When she looked for it later, it was gone, at which time she realized that she was again pregnant. Her children, the moon and stars did not believe her story. Ashamed of their mother, they resolved to kill her. A goddess could only give birth once, to the original litter of divinity and no more. During the time that they were plotting her demise, Coatlique gave birth to the fiery god of war, Huitzilopochtli.

With the help of a fire serpent, he destroyed his brothers and sister, murdering them in a rage. He beheaded Coyolxanuhqui and threw her body into a deep gorge in a mountain, where it lies dismembered forever. The natural cosmos of the Indians was born of catastrophe. The heavens literally crumbled to pieces. The earth mother fell and was fertilized, while her children were torn apart by fratricide and them scattered and disjointed throughout the universe. Ometecuhlti and his wife Omecihuatl created all life in the world. Their children were: Xipe Totec – The Lord of the Springtime, Huitzilopochtli – the Sun god, Quetzalcoatl – the Plumed Serpent, Tezcatlipoca – the god of Night and Sorcery, Coatlicue – She of the Serpent Skirt.